‘æ‚P•”@13:30`14:35
01. ˆ»•” ‚©‚Ù‚éiFlj • “c’† ”ŽKiPfji8fj
ƒoƒbƒnFƒtƒ‹[ƒg‚ƃsƒAƒm‚Ì‚½‚߂̃\ƒiƒ^‘æ1”Ô BWV1030 ‚æ‚è‘æ1ŠyÍ
J.S.Bach: Sonata for Flute and Piano No.1 BWV1030 1st mvt.
02. ”ò“c ^Šói14fj
ƒtƒH[ƒŒFM‰Ì‘æ3”Ô op.42
ƒJƒgƒ[ƒ‹F5‚‚̬•i op.10‚æ‚è‘æ1‹Èu‘O‘t‹ÈvC‘æ2‹Èu‘O‘t‹ÈvC‘æ3‹ÈuƒJƒvƒŠƒ`ƒI[ƒ\v
G.Fauré: Barcarolle op.42
G.Catoire: #1.prelude, #2.prelude, #3.capriccioso from gCinq morceauxh op.10
03. ˜j— “Äi13fj
ƒVƒ‡ƒpƒ“FƒAƒ“ƒ_ƒ“ƒeƒXƒsƒAƒi[ƒg‚Ɖؗí‚È‚é‘åƒ|ƒƒl[ƒY op.22
F.Chopin: Grande polonaise brillante précédée d'un andante spianato op.22
04. ²‹vŠÔ “NÆi17fj
ƒx[ƒg[ƒ”ƒFƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ30”Ô op.109
L.v.Beethoven: Piano Sonata No.30 op.109
05. ¼‘º ‰pŽmi11fj
ƒSƒhƒtƒXƒL[FuƒWƒƒƒ‘g‹È | ƒtƒHƒmƒ‰ƒ}`ƒsƒAƒm‚Ì‚½‚߂̉¹‹Is | v‚æ‚è
@‘æ6‹Èuƒuƒƒ‚‰ÎŽR‚Æ–é–¾‚¯‚Ì»‚ÌŠCvC
@‘æ8‹Èuƒ{ƒCƒeƒ“ƒ\ƒ‹ƒN‚ÌA•¨‰€vC
@‘æ9‹Èuƒoƒ^ƒ”ƒBƒA‚Ì‹ŒŽsŠXv
L.Godowsky: from gJava Suiteh - Phonoramas ` Tonal journeys for the Pianoforte -
@#6. The Bromo volcano and the sand sea at daybreak,
@#8. The gardens of Buitenzorg,
@#9. In the streets of old Batavia
‘æ‚Q•”@14:45`15:50
06. ¼—Ñ L¶i6fj
ƒXƒNƒŠƒAƒrƒ“F3‚‚̬•i op.52‚æ‚è‘æ3‹Èu‚¯‚¾‚é‚¢ŽvC
ƒXƒNƒŠƒAƒrƒ“F2‚‚̬•i op.57‚æ‚è‘æ2‹Èu•‘‚¢—x‚鈤•v
A.Scriabin: #3. Poème languide from gTrois morceauxhop.52,
A.Scriabin: #2. Caresse danseé from gDeux morceauxh op.57
07. ´… O‹Ii15fj
ƒN[ƒ‰ƒNFƒXƒPƒ‹ƒcƒH op.96C
ƒN[ƒ‰ƒNF2‚‚̫Ši“Iƒ|ƒƒl[ƒY op.101‚æ‚è‘æ1”Ô
T.Kullak: Scherzo op.96,
T.Kullak: Polonaise No.1 from gDeux Polonaises caractéristiquesh op.101
08. ŽRŒ` “Öi14fj
ƒx[ƒg[ƒ”ƒFƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ14”ÔuŒŽŒõv op.27-2
L.v.Beethoven: Piano Sonata No.14 op.27-2
09. •s”j —FŽÅi15fj
ƒNƒ‰[ƒƒ‹F6‚‚̉‰‘t‰ï—p—ûK‹È
@1. ƒnƒCƒEƒFƒC,
2. ƒNƒŒƒhiˆóÛj,
3. ƒtƒ‚ƒŒƒXƒPiu‚¢‚½‚¸‚ç‚ÁŽqvj,
4. ‚ ‚±‚ª‚ê,
5. t‚Ì‹C•ª,
6. “®‚«
D.Kramer: 6 Concert Studies
@1. Superhighway,
2. Credo,
3. The study - humoresque ("Imp"),
4. Aspiration,
5. Spring mood,
6. Motion
10. ‚‹´ Œ’ˆê˜Yi9fj
ƒ`ƒƒƒCƒRƒtƒXƒL[FƒhƒDƒ€ƒJ `ƒƒVƒA‚Ì”_‘º•—Œi` op.59
P.I.Tchaikovsky: Dumka op.59
‘æ‚R•”@16:05`16:55
11. ‹gì Œb‘¾i10fj
ƒx[ƒg[ƒ”ƒFƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ15”Ôu“c‰€v op.28‚æ‚è‘æ1ŠyÍ
L.v.Beethoven: Piano Sonata No.15 op.28 1st mvt.
12. ‘å˜a Ãi9fj
ƒvƒƒRƒtƒBƒGƒtFƒsƒAƒmƒ\ƒiƒ^‘æ3”Ô op.28
S.Prokofiev: Piano Sonata No.3 op.28
13. ’Ò —z‰îi15fj
ƒSƒhƒtƒXƒL[FƒVƒ…ƒgƒ‰ƒEƒX‚̃ƒ‹ƒcuŽðE—E‰Ìv‚É‚æ‚éŒð‹¿“I•Ï—e
L.Godowsky: gSymphonic metamorphosis IIIhafter J.Strauss II's Waltz gWein, Weib, und Gesangh
14. ŒáÈ ‘si11fj
ƒVƒ‡ƒpƒ“FƒXƒPƒ‹ƒcƒH‘æ4”Ô op.54
F.Chopin: Scherzo No.4 op.54
‘æ‚S•”@17:10`18:20
15. â“c ‹±Žqi8fj
ƒVƒ‡ƒpƒ“F‰Ø—í‚È‚é‰~•‘‹È op.34-1
F.Chopin: Valse Brillante op.34-1
16. AŽÅ r•vi14fj
ƒhƒrƒ…ƒbƒV[F‰f‘œ‘æ2W
C.Debussy: Image Book II
17. ¬‘ã N¢i15fj
ƒnƒCƒhƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ62”Ô Hob.XVI-52
J.Haydn: Piano Sonata No.62 Hob.XVI-52
18. ’Ò ‹±‰îi13fj
ƒOƒ‰ƒiƒhƒXFuƒSƒCƒFƒXƒJƒXv‚æ‚è‘æ1‹Èuˆ¤‚ÌŒ¾—tvCu‚í‚çlŒ`v
E.Granados: gLos requiebrosh from Goyescas, gEl Peleleh
19. ‘å˜a —_“Ti14fj
ƒoƒbƒn^ƒuƒ][ƒjF–³”º‘t’ñ‹Õ‚Ì‚½‚߂̃pƒ‹ƒeƒB[ƒ^‘æ2”Ô BWV1004 ‚æ‚èuƒVƒƒƒRƒ“ƒkv
J.S.Bach / F.Busoni: gChaconneh from Partita for Violin No.2 BWV1004
i18:25I‰‰—\’èj