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at ‹Œ“Œ‹ž‰¹ŠyŠwZ‘tŠy“° / Old Sohgakudo Concert Hall
2009”N8ŒŽ22“úi“yj/ 22th Aug. 2009
13:00ŠJê / 13:30ŠJ‰‰
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i‰‰‘t‡E‰‰‘t‹È–ڂ̕ύX‚ª‚ ‚邱‚Æ‚ª‚ ‚è‚Ü‚·‚Ì‚Å‚²—¹³‚­‚¾‚³‚¢Bj

‘æ‚P•”@13:30`14:35

01. ˆ»•” ‚©‚Ù‚éiFlj • “c’† ”ŽKiPfji8fj
ƒoƒbƒnFƒtƒ‹[ƒg‚ƃsƒAƒm‚Ì‚½‚߂̃\ƒiƒ^‘æ1”Ô BWV1030 ‚æ‚è‘æ1ŠyÍ
J.S.Bach: Sonata for Flute and Piano No.1 BWV1030 1st mvt.

02. ”ò“c ^Šói14fj
ƒtƒH[ƒŒFM‰Ì‘æ3”Ô op.42
ƒJƒgƒ[ƒ‹F5‚‚̏¬•i op.10‚æ‚è‘æ1‹Èu‘O‘t‹ÈvC‘æ2‹Èu‘O‘t‹ÈvC‘æ3‹ÈuƒJƒvƒŠƒ`ƒI[ƒ\v
G.Fauré: Barcarolle op.42
G.Catoire: #1.prelude, #2.prelude, #3.capriccioso from gCinq morceauxh op.10

03. ˜j— “āi13fj
ƒVƒ‡ƒpƒ“FƒAƒ“ƒ_ƒ“ƒeƒXƒsƒAƒi[ƒg‚Ɖؗí‚È‚é‘åƒ|ƒƒl[ƒY op.22
F.Chopin: Grande polonaise brillante précédée d'un andante spianato op.22

04. ²‹vŠÔ “NÆi17fj
ƒx[ƒg[ƒ”ƒFƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ30”Ô op.109
L.v.Beethoven: Piano Sonata No.30 op.109

05. ¼‘º ‰pŽmi11fj
ƒSƒhƒtƒXƒL[FuƒWƒƒƒ‘g‹È | ƒtƒHƒmƒ‰ƒ}`ƒsƒAƒm‚Ì‚½‚߂̉¹‹Is | v‚æ‚è
@‘æ6‹Èuƒuƒƒ‚‰ÎŽR‚Æ–é–¾‚¯‚̍»‚ÌŠCvC
@‘æ8‹Èuƒ{ƒCƒeƒ“ƒ\ƒ‹ƒN‚̐A•¨‰€vC
@‘æ9‹Èuƒoƒ^ƒ”ƒBƒA‚Ì‹ŒŽsŠXv
L.Godowsky: from gJava Suiteh - Phonoramas ` Tonal journeys for the Pianoforte -
@#6. The Bromo volcano and the sand sea at daybreak,
@#8. The gardens of Buitenzorg,
@#9. In the streets of old Batavia


‘æ‚Q•”@14:45`15:50

06. ¼—Ñ L¶i6fj
ƒXƒNƒŠƒAƒrƒ“F3‚‚̏¬•i op.52‚æ‚è‘æ3‹Èu‚¯‚¾‚é‚¢ŽvC
ƒXƒNƒŠƒAƒrƒ“F2‚‚̏¬•i op.57‚æ‚è‘æ2‹Èu•‘‚¢—x‚鈤•v
A.Scriabin: #3. Poème languide from gTrois morceauxhop.52,
A.Scriabin: #2. Caresse danseé from gDeux morceauxh op.57

07. ´… O‹Ii15fj
ƒN[ƒ‰ƒNFƒXƒPƒ‹ƒcƒH op.96C
ƒN[ƒ‰ƒNF2‚‚̐«Ši“Iƒ|ƒƒl[ƒY op.101‚æ‚è‘æ1”Ô
T.Kullak: Scherzo op.96,
T.Kullak: Polonaise No.1 from gDeux Polonaises caractéristiquesh op.101

08. ŽRŒ` “ցi14fj
ƒx[ƒg[ƒ”ƒFƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ14”ԁuŒŽŒõv op.27-2
L.v.Beethoven: Piano Sonata No.14 op.27-2

09. •s”j —FŽÅi15fj
ƒNƒ‰[ƒƒ‹F6‚‚̉‰‘t‰ï—p—ûK‹È
@1. ƒnƒCƒEƒFƒC, 2. ƒNƒŒƒhiˆóÛj, 3. ƒtƒ‚ƒŒƒXƒPiu‚¢‚½‚¸‚ç‚ÁŽqvj, 4. ‚ ‚±‚ª‚ê, 5. t‚Ì‹C•ª, 6. “®‚«
D.Kramer: 6 Concert Studies
@1. Superhighway, 2. Credo, 3. The study - humoresque ("Imp"), 4. Aspiration, 5. Spring mood, 6. Motion

10. ‚‹´ Œ’ˆê˜Yi9fj
ƒ`ƒƒƒCƒRƒtƒXƒL[FƒhƒDƒ€ƒJ `ƒƒVƒA‚Ì”_‘º•—Œi` op.59
P.I.Tchaikovsky: Dumka op.59


‘æ‚R•”@16:05`16:55

11. ‹gì Œb‘¾i10fj
ƒx[ƒg[ƒ”ƒFƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ15”ԁu“c‰€v op.28‚æ‚è‘æ1ŠyÍ
L.v.Beethoven: Piano Sonata No.15 op.28 1st mvt.

12. ‘å˜a Ãi9fj
ƒvƒƒRƒtƒBƒGƒtFƒsƒAƒmƒ\ƒiƒ^‘æ3”Ô op.28
S.Prokofiev: Piano Sonata No.3 op.28

13. ’Ò —z‰îi15fj
ƒSƒhƒtƒXƒL[FƒVƒ…ƒgƒ‰ƒEƒX‚̃ƒ‹ƒcuŽðE—E‰Ìv‚É‚æ‚éŒð‹¿“I•Ï—e
L.Godowsky: gSymphonic metamorphosis IIIhafter J.Strauss II's Waltz gWein, Weib, und Gesangh

14. ŒáÈ ‘si11fj
ƒVƒ‡ƒpƒ“FƒXƒPƒ‹ƒcƒH‘æ4”Ô op.54
F.Chopin: Scherzo No.4 op.54


‘æ‚S•”@17:10`18:20

15. â“c ‹±Žqi8fj
ƒVƒ‡ƒpƒ“F‰Ø—í‚È‚é‰~•‘‹È op.34-1
F.Chopin: Valse Brillante op.34-1

16. AŽÅ r•vi14fj
ƒhƒrƒ…ƒbƒV[F‰f‘œ‘æ2W
C.Debussy: Image Book II

17. ¬‘㠍N¢i15fj
ƒnƒCƒhƒ“FƒsƒAƒmƒ\ƒiƒ^‘æ62”Ô Hob.XVI-52
J.Haydn: Piano Sonata No.62 Hob.XVI-52

18. ’Ò ‹±‰îi13fj
ƒOƒ‰ƒiƒhƒXFuƒSƒCƒFƒXƒJƒXv‚æ‚è‘æ1‹Èuˆ¤‚ÌŒ¾—tvCu‚í‚çlŒ`v
E.Granados: gLos requiebrosh from Goyescas, gEl Peleleh

19. ‘å˜a —_“Ti14fj
ƒoƒbƒn^ƒuƒ][ƒjF–³”º‘t’ñ‹Õ‚Ì‚½‚߂̃pƒ‹ƒeƒB[ƒ^‘æ2”Ô BWV1004 ‚æ‚èuƒVƒƒƒRƒ“ƒkv
J.S.Bach / F.Busoni: gChaconneh from Partita for Violin No.2 BWV1004

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